AMAZON DELETES A BUNCH OF REAL REVIEWS from TechDirt

2 11 2012

Amazon Freaks Out About Sock Puppet Reviews And Deletes A Bunch Of Real Reviews

from the collateral-damage dept

For a while now, there has been a bit of a kerfuffle at Amazon over so called “sock puppet reviews” or reviews purchased by an author to help pad their books’ rankings. We hadn’t been covering any of it because, frankly, it was a non-story. There never was a threat to the publishing industry and it was always questionable how widespread the problem really was. Additionally, the idea that a writer would have to pay to get reviews was just a sign that those writers held no real confidence in their work.

Unfortunately, Amazon took these complaints a little too seriously. It would seem that those complaining were loud enough that Amazon heard them and did a couple of things to tackle the non-issue. First it revised its rules for review writing. to make such purchased reviews against the rules. Then it removed a bunch of reviews seemingly at random. Joe Konrath shares his experience upon reading about this:

I’ve been buried in a book deadline for all of October, and haven’t been paying much attention to anything else. When I finally took some time to catch up reading email, I noticed I had many authors (more than twenty) contacting me because their Amazon reviews were disappearing. Some were the ones they wrote. Some were for their books. One author told me that reviews her fans had written–fans that were completely unknown to her–had been deleted.

I took a look at the reviews I’d written, and saw more than fifty of them had been removed, namely reviews I did of my peers. I don’t read reviews people give me, but I do keep track of numbers and averages, and I’ve also lost a fair amount of reviews.

Why did Amazon go nuts deleting reviews? Well, Konrath assumes, based on his responses from Amazon, that this was the result of a new automated sock puppet detection program. Apparently, it works in much the same way as Google’s ContentID: flag anything and everything and see what sticks. Actually, no. This is way worse than ContentID. At least ContentID has some kind of — admittedly weak — notification, human review and appeals process. That is entirely absent from Amazon’s deletion program, as Konrath explains in his letter to Amazon.

My reviews followed all of Amazon’s guidelines, and had received hundreds of helpful votes. They informed customers, and they helped sell books. They represented a significant time investment on my part, and they were honest and accurate and fully disclosed my relationships with the author I reviewed if I happened to know them. And these reviews were deleted without warning or explanation.

Next, in his letter, he explains just why Amazon’s actions were the wrong thing to do. Primarily because this action harmed more authors than sock puppet reviews ever did.

Obviously Amazon can do whatever it wants to on its site. It isn’t up to me to dictate policy. It’s your company, your rules, and I fully respect that. But I believe Jeff Bezos is very much about treating customers fairly, and I’ve heard it said many times that Amazon considers its authors to be valuable customers. So you should know that I’m just one of dozens of authors who are saddened by this, and those are just the ones who have emailed me.

The community you’re trying hard to nurture is upset by your actions. They feel those actions are unwarranted and harmful.

Please express our disappointment in Amazon to anyone who needs hear it, and let them know I’ll be blogging about it. People are seriously disappointed in how Amazon handled this. It was a knee-jerk, inappropriate reaction to a ridiculous case of unjustified moral panic, and a Big Fail.

Admittedly, this act by Amazon was in response to a number of authors who complained about the problem. However, as I wrote above, it was a problem of egos, not actual harm to any specific authors or group of authors — or as Konrath put it, an unjustified moral panic. Authors freaked out over news stories of people being paid to write reviews and it ballooned from there. And just like every other moral panic before it, this one did tons of unnecessary collateral damage.

So not only do a bunch of legitimate reviews just up and disappear, there is also further damage to Amazon and the authors it works with. Readers will be less likely to write thoughtful and meaningful reviews in the future. If your review that you spent an hour writing could just up and disappear, why bother? Is this really what Amazon and these authors want — people less willing to review books they read? That would seem to be a far worse situation than an unconfirmed number of sock puppet reviews.

 





eBook User Base 24.5% of Adults

23 08 2012

STAMFORD, CT– Simba Information, the market research firm specializing in publishing and media, has published an addendum to its recently released “Trade E-Book Publishing 2012” report. In addition to showing an updated list of e-book hardware trends, the data indicates that about 24.5% of U.S. adults consider themselves to be e-book users, up from about 17.2% the year before; the sudden rise may be due to consumers buying the runaway bestselling series 50 Shades of Gray.

“Even though the base of e-book users expanded over the past year there are still lingering questions as to what extent consumers are engaged with digital book content,” said Michael Norris , senior analyst of Simba Information’s Trade Books Group, in commenting on the findings. “We also found that over a quarter of e-book users haven’t purchased a single digital book in the past year, and that is about the same as we discovered last summer. Additionally, there remains a very large group of iPad owners who are not e-book users at all.”

From:  Publishing Business Today





BOOK SHELF FETISHISTS REJOICE

13 07 2012

Partial re-post from Book Business:

It is in this spirit that we here at Book Business were completely agog upon discovering bookshelfporn.com,Opens in a new window a simple Tumblr photoblog (with the attendant FacebookOpens in a new window, PinterestOpens in a new window and TwitterOpens in a new window presences) devoted to bookshelves. The brainchild of Anthony DeverOpens in a new window, it’s just the sort of site a bibliophile or an organizational fetishist could get lost in for an hour or a day.





BEAUTY WITHOUT THE SCALPEL

12 06 2012

Based on the recent sales numbers, apparently this time of year people are not only thinking about strolling the beach in swimsuit ready bodies but also about improving their looks.  Dr. Soria is an international leader in the field of beauty without surgery.  If you are considering procedures, this book is a MUST READ!

NOW AVAILABLE !!!

If you are considering a cosmetic procedure, this is a must read!  Internationally recognized Dr. Carlos Soria M.D., Ph.D. explains the various types of treatments available without surgery.  With this information you will be able to make an intelligent decision about which procedure will be best for your needs and budget.  Loaded with before/after photos, the results are simply stunning!  Dr. Soria is also available to train other medical professionals in these non-surgical procedures.

The book is available on Amazon or for a better representation of the book it can be purchased at http://www.villaofyouth.com





SUBSIDY OR PAY-TO-PUBLISH PUBLISHERS

21 03 2012

PLEASE READ THIS ARTICLE AND THEN REFER TO THE ARTICLE I POSTED ON 8/17/2011

(I am currently in the process of helping a customer trying to obtain her release from iUniverse, so far it is ridiculous, they are charging her for the release of her files and they will only give her her original Word files back, she paid them to do the layout of the text, so if she paid for the work, shouldn’t it belong to her?  To date, they are still giving her the run around)

SUBSIDY OR PAY–TO–PUBLISH PUBLISHERS
–Rick Frishman – Publisher- Morgan James Publishing
http://www.morganjamespublishing.com
Subsidy or Pay–to–Publish Publishers
Also known as pay-to-publish, there are several companies that take upfront
money to publish your book. Subsidy publishers throw into the
package, interior and cover design (don’t expect miracles—most will use
their formula templates). The author then gets to buy the book at a preset
cost for resale. Most subsidy type of publishing uses a POD format—
print-on-demand—for book ordering. You can buy one copy for resale or
hundreds. The entry fee is usually less than $1,000 to enter into a
contract … but, and it’s a big but, the cost can be quite extensive per book unit;
author/publisher discounting deals are pro-publisher, always; and getting out of a
contract if things are not going well, can be difficult, if not impossible.





PUBLISHING HOUSE REJECTION LETTERS

6 03 2012

WHAT PUBLISHERS REALLY MEAN IN THEIR REJECTION LETTERS (:
What do publishers mean when they tell would-be writers ‘this is too literary for our list’?
http://bit.ly/zg035o
https://twitter.com/#!/search/%23publishingeuphemism

From Dan Poynter’s eNewletter 3/6/12





SHOULD YOU SELF PUBLISH – Graham Storrs

11 02 2012

Should You Self-Publish? How to Make the Decision

It is the question on every writer’s lips these days and the subject of countless blog posts. However, here is the first comprehensive and dispassionate guide to making this career-defining decision. The flowchart below will guide you through all the essential questions. Answer each one honestly and I guarantee you will come to the right choice for you.

Instructions:

  1. Start at the box labelled “Start” and follow the arrow.
  2. Answer each question YES or NO – you are not allowed any maybes. And follow the associated arrow.
  3. Take the advice you end up with and get on with your life.

It’s as easy as that.

The simple decision process every writer needs





SELF PUBLISHERS (A repost from Dan Poynter’s eNewsletter)

14 11 2011

SELF-PUBLISHERS

–Rick Frishman, publisher Morgan James Publishing

http://www.MorganJamesPublishing.com

From the vanity presentation that could never find its way to a shelf in a bookstore (most likely a LuLu type of book) to a slick presentation that a buyer at first glance assumes is from a traditional publisher, the self and independently published books from small presses have prospered.

Self-publishers range from those who only envision selling a few books to those who sell thousands of them. Many New York Times bestsellers began their publishing journeys via the self-publishing route. The usual reason is that they couldn’t get a publisher to pick it up and/ or get an agent to become their champion, thus never getting it to a publisher’s doorstep. Self-publishing’s Hall of Fame includes mega seller John Grisham. His first book, A Time to Kill, started out published by the author after multiple rejection notices and was later sold to Fleming H. Revell for a few thousand dollars. Revell in turn sold it for over a million dollars for much needed cash.

Management guru Tom Peters rolled out In Search of Excellence in self- published format before it was bought by New York; and Ken Blanchard started his One-Minute series from the kitchen table as did What Color is Your Parachute? author, Richard Nelson Bolles. Betty J. Eadie birthed Embraced by the Light on the self-publishing route along with Sandra Haldeman Martz with her When I Am an Old Woman, I Shall Wear Purple and Richard Evans with his The Christmas Box. Then, there are a couple of reference gems that started the self- publishing route. Consider Robert’s Rules of Order by Henry Martyn Robert and the all-time classic, The Elements of Style, by William Strunk, Jr. and EB White. To date, over 10 million copies of those tomes have been sold. All were rejected by traditional publishing the first go around. The authors had their vision and did it themselves. By the time New York came to the party, the checks written were quite hefty.

There is a difference between self-publishing and independent publishing. Most people put the two in the same pot. Don’t. Self-publishing is certainly on your own. So is independent. Within the self-publishing category is what we call the “hobbyist” or “casual” publisher. Making money isn’t the key factor. Just having a book is. Most selfpublished books look, well, self-published. Money isn’t dedicated to quality, although the content may be good. If you plan on selling fewer than 300 copies, this is a reasonable route to take.

MORE TIPS AT http://www.rickfrishman.com





CHILDREN’S BOOKS REMOVED FROM CIPSA

26 08 2011

The Consumer Product Safety Improvement Act of 2008 has been
amended to exclude children’s books from testing for harmful
substances. Publishers are greatly relieved.

http://bit.ly/qXuQsU





BEWARE and Compare POD (Online) Publishers

17 08 2011

COMPARE POD PUBLISHERS! More details about each firm below appear HERE: http://writersweekly.com/pod_price_comparison/006780_06152011.html

OBVIOUSLY, THIS INFORMATION CAME FROM WRITER’S WEEKLY. I MOSTLY AGREE WITH THEM, WITH THESE EXCEPTIONS:

BookLocker: I haven’t heard much about them one way or another.

LuLu: AVOID, I have spent more time cleaning up messes after them for customers than I can count. It is impossible to get through to a live person but you can communicate on FB with an imaginary employee they have, hmmmmmm?

CreateSpace: I’ve recently been hearing more complaints about them, BEWARE.

In my opinion, these companies are in the business of selling over priced services to people that don’t know any better, they will over-charge you to purchase “your own” books from them and they are not going to do much to help you sell books. The only reason they call themselves publishers is because they hold the ISBN and when you’re sick of them it is not an easy process to get your book rights back from them!

BookLocker: $517 (Deduct $200 if submitting your own cover)  Rated “Outstanding” by Mark Levine, attorney and author of  The Fine Print of Self-Publishing. **

iUniverse: $999.00 (includes 5 “free” copies)  Rated “Publisher to Avoid” by Mark Levine, attorney and  author of The Fine Print of Self-Publishing.

CreateSpace: $1022.00 (Deduct $299 if submitting your own cover)  Rated “Just OK” by Mark Levine, attorney and author of  The Fine Print of Self-Publishing.

Lulu: $1131.00 (Deduct $450 if submitting your own cover)  Rated “Pretty Good” by Mark Levine, attorney and author of  The Fine Print of Self-Publishing.

Trafford: $1324.00  Rated “Publisher to Avoid” by Mark Levine, attorney and > author of The Fine Print of Self-Publishing.

AuthorHouse: $1517.00  Rated “Publisher to Avoid” by Mark Levine, attorney and  author of The Fine Print of Self-Publishing.

Xlibris: $1972.00 – (includes 5 “free” copies)  Rated “Publisher to Avoid” by Mark Levine, attorney and  author of The Fine Print of Self-Publishing.

***Prices above based on least expensive package offered by  each publisher on similar offers targeting U.S. authors. Fees  include interior formatting (based on a 200-page book), original cover design with up to 5 images, print proof, ebook creation, up to 25 interior photos/graphics, an ISBN,  barcode, a listing on the publisher’s website and  distribution by Ingram, all within 6 weeks.  NOTE: All publishers above currently offer distribution  through Ingram (the largest book distributor), as well as  inclusion of their titles in the major online (amazon.com,  barnesandnoble.com, etc.) and physical bookstore systems.  NOTE: Many companies offer perks that others don’t, some try  to upsell authors on extraneous services, and a few even  claim ownership of files the author has paid them to create.  Study each publisher and contract carefully before making  your choice.